Photo by Vanessa Heins |
I only
managed to catch the second half of Gender Roles (7/10), but what I heard was really enjoyable. Their fuzzed-up,
indie-rock sound is primarily reminiscent of bands like Fizzy Blood and Otherkin,
but it’ll be occasionally interspersed with a twinkly Orchards-esque riff,
resulting in a style of music I really am a sucker for. The band approach their
set with a laid-back attitude, and make it abundantly clear that they don’t
take themselves too seriously. Considering that they face a pretty lukewarm
reception from the crowd, Gender Roles do an admirable job in getting the audience
on board with their songs whilst simultaneously warming everyone up for the
night ahead. I’ll definitely be looking to catch a full set from this band at
ArcTanGent in August.
Having seen
Milk Teeth (7.5/10) seven times now,
it’s hard for me to find new things to say about them, but obviously they put
on a good set in this support slot. The fairly new dynamic that they have as a
three-piece, I think, suits them even better than their previous incarnations; not only
is it musically tighter, but it allows all three members to shine in their own
unique way. There’s wisecracking political mouthpiece Em Foster on guitar and
backing vocals, lairy-as-fuck whirling dervish Oli Holbrook on drums, and Becky
Blomfield, face of the band and master of the massive chorus, on bass and lead
vocals. Between them, they make up one of the most consistent live bands around
right now, and this support set is the perfect appetiser before the main event.
New tracks Stain and Flowers(?) both stand out amidst the
onslaught of bangers, as well, which is a promising sign of things to come for
Milk Teeth.
I made the
bold claim in my album reviews this week that PUP (9/10) might be the best band in the world. Seeing them live on this
touring cycle has convinced me to stand behind that argument even more firmly,
because from start to finish their live show is exhilarating, musically spot
on, and bursting at the seams with personality. It’s punk rock in the most
Canadian way possible, with frontman Stefan Babcock apologising after one of
the songs, saying that they had “definitely played that one better before”, and
repeating throughout the show that “if you came to see a professional rock
show, you came to the wrong place”. It’s clear that the crowd wouldn’t have it
any other way; drinks and bodies are flying all over the place over the course
of the band’s hour-long set, and there’s a real sense of community in the room
which culminates in the wonderful finale of If
This Tour Doesn’t Kill You… and DVP
– two songs which are purpose-made to close a show.
PUP’s
setlist leans heavily on the material from Morbid
Stuff. Seven out of the thirteen tracks that they rage through are from the
new album (including deeper cuts like Closure
and Bloody Mary, Kate, and Ashley),
and that’s definitely not a bad thing in the slightest. A good chunk of the
crowd still sings every word back, and, in the cases of Sibling Rivalry, Scorpion Hill, and Kids especially, the new stuff is the best that they play all night.
I would’ve been happy if they played the record in full, quite honestly, but
there you go. The only bummer, for me, is that Dark Days and Reservoir
are the only two songs that remain in the setlist from the band’s self-titled
debut (which is still my favourite of theirs). I can’t help but feel that bangers
like Mabu and Back Against The Wall should be forever enshrined as live set
staples… but that’s the problem with having a perfect track record of three
albums: you can’t play every song you’ve ever done in a single gig.
If you
fancy seeing The Best Band in the World Right Now™, then there’s good news for you: they’ll be touring the UK and Europe
once again later this year, playing venues which better accommodate their
ever-increasing popularity. Tickets go on sale next Wednesday, the 17th
of April, and dates can be seen below. You won't be disappointed.
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